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Godzilla: King of the Monsters (2019)

Godzilla: King of the Monsters (2019)

Directed by: Michael Dougherty   Rated: PG-13   Runtime: 2 hrs 12 mins

Studio: Legendary Pictures, Warner Bros. Pictures

Screenwriter: Michael Dougherty, Zach Shields

Cast: Kyle Chandler, Millie Bobby Brown, Charles Dance, Bradly Whitford, Vera Farmiga

Godzilla: King of the Monsters is the second film in the “monsterverse” trilogy. The first was Kong: Skull Island. Where Skull Island had a much better storyline, tone, and pace, it also, more or less, had a better logical explanation of the monsters. ‘King of the Monsters’ fails at this. 

Godzilla: King of the Monsters is basically monster porn with the weakest plot and cringy lines. If you’re a big fan of monsters, then this film probably won’t put you off. Though keep in mind the trailer’s tone compared to the actual movie is misleading.

Warner Bros. Pictures Final Trailer for ‘Godzilla: King of the Monsters’

The human characters have a purpose but have no depth. They exist merely to justify the limp excuse for a plot that moves along with the smoothness of a newbie learning stick shift. A story that revolves around culling the infectious human race with monsters—one of which is an alien. Seriously? This film is convoluted enough without that add-on. The whole justification for monsters existing in the entire trilogy is tenable until this screenplay, which is an exercise on how to fail film school. It’s meant to set up the third film, Godzilla v Kong

If I had watched these in order, I never would have watched the third film. Instead, I was under the impression I didn’t need to see this film, so I saw ‘Skull Island’ and then Godzilla v Kong. Viewing the third film, I was confused as hell, so if you can make it through this film, more power to you. 

While watching Godzilla: King of the Monsters, I stopped three times. My brain simply didn’t want to process the fecking train wreck in progress. Forcing myself to finish this is a crime against my brain cells. I just can’t. I don’t care about it enough to know how it ends. That’s a sad admission for any movie-goer. 

The first film is like the first act of a movie, the setup. The second film is the middle, where the plot thickens, and lots of other details are learned. Finally, the third movie is the climax, the action, or reveal, and conclusion. Keeping that in mind, that is what this “monsterverse” is set up to be. The filmmakers are playing a long game. Trying to reinvent and expand beyond every monster film before them. 

‘Godzilla: King of the Monsters’ Image: Legendary Pictures

Kong: Skull Island is a good start; this film is the equivalent of X-Men the Last Stand. The bastard, hot-mess of a franchise everyone wants to forget about. Godzilla v Kong is like a constant show of rock em’ sock em.’ However, if you understand the setup, it’s acceptable as such. You know what you’re getting going in. 

Some argue there should be fewer humans in these movies; I disagree. The monsters can’t communicate, so the audience will understand, they were not designed to be. Therefore you need the human component. 

If you like monsters, action, a believable story, and brain cells, there are far better movies to watch. Pacific Rim is an excellent, more recent example to see. Not this! Anything but this travesty of plot and logic. Godzilla: King of the Monsters should never make it onto your watchlist. Read a spoiler about it online and skip to the third film if you want, but forget it was ever produced. 

—a pen lady

apenlady View All

I just do me. I write. I read. I review movies. I'm not a movie pro, just a fan of them (movies). My thoughts are an opinion, which everyone is welcome to have. You may agree with me or not. That's acceptable. If I enlighten you with a film you've never heard of before or convinced you to see one you knew about but never bothered to see, fantastic.

One thought on “Godzilla: King of the Monsters (2019) Leave a comment

  1. Oooh, see I am one who argues the human stories should be small. Did you see it big screen or small screen? I guess I think this is one of those films that needs to scale to impressive.

    Like

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