Film Critic, Movie Blog, Movie Reviews

Next Goal Wins (2023)

Films based on actual events tend to be compelling, and sports-related ones are no exception. Next Goal Wins is a sports film based on a soccer team’s real-life defeat and a 2014 documentary on said game. The people associated with the American Samoa soccer team are still alive; a filmmaker can talk to those associated with the team and see what became of those individuals in preparing a film like this. It’s an advantage because the game happened within the last 20 years, not 200. First-person accounts are invaluable to any story being told, no matter the method of storytelling. 

Taika Waititi is the first thing you see in the film, and it’s jarring, setting an uncomfortable tone for the film immediately. He also narrates throughout the movie, and it would have been better if he hadn’t, or at least used another character to do it. But he doesn’t know when enough is enough. The same is true of his jokes; they are not funny and make the American Samoans in the movie seem like idiots. They’re not, but how you frame/depict a culture or nationality on a global scale that probably knows nothing about them matters. Island life is much different than how mainlanders live; Taika knows this, so it’s surprising that many aspects of them came across that way. 

I’m less shocked that the American Samoa team lost so horribly to Australia in the 2001 World Cup qualifier 31-0 than I am that director/writer Taika Waititi made a soccer film that doesn’t actually focus on soccer. They practice and play in the movie, and they point out how horrible they are (repeatedly). The entire film centers around them wanting to score a single goal so much that they get a new coach. But the reason why they all play, despite being the worst team in the world, is never mentioned. 

Scene from ‘Next Goal Wins’ Image: Searchlight Pictures

Anyone familiar with the bizarre and often complicated rules of international soccer (football) understands that many teams/clubs have to fund themselves. The American Samoa team is no different; all the team members work multiple jobs to fund the team they play on, and jobs on an island are not infinite. So it’s fair to wonder why anyone wouldn’t just give up and let the team die. If Waititi knew the answer, he left it out of the film. Playing soccer on an island is reasonable compared to the 1993 film Cool Runnings, about a Jamaican bobsled team. If you’ve never seen it, I do recommend it for your watchlist, early 90s Disney that it is. In Cool Runnings, you didn’t have to wonder why those teammates wanted to do the impossible, what drove them, and what pushed them to improve. Or the simple fact that they collectively tried at all. The fact that the audience does about a soccer team, anywhere, shows how much Waititi missed the point of his own movie. 

I used to be a fan of the Chicago Bears, and I’ve seen Welcome to Wrexham, so I understand sticking with a team because of home team pride. What drives those to stick with the American Samoa soccer team doesn’t shine through in Next Goal Wins. Instead, it tries and poorly executes, making it about Thomas Rongen (Fassbender). He’s a terrible coach that no one wants, sent to a team no one takes seriously. On America Samoa, he’s oddly put in the position to get over himself while babysitting a team that can’t play. He’s so preoccupied with self-loathing and liquor that he doesn’t even notice they don’t fully understand how to play soccer. A team member, Jaiyah (Kaimana), takes pity on Rongen and helps him so he won’t quit them, too, while he views her as a surrogate daughter for his own whose phone calls he keeps missing. It’s the most self-esteem and character development in the whole film, and it’s absolute bullshit. The depiction of Coach Rongen in this film is the opposite of the man in real life. When adapting something to the screen, there has to be room for artistic license, but that’s not the same thing as what Waititi did in this film regarding Rongen’s character. 

Michael Fassbender in ‘Next Goal Wins.’ Image: Searchlight Pictures via theguardian.com

I wanted to see this because Michael Fassbender was in it. They can’t all be winners. Fassbender alone isn’t enough to save this film from itself or Taika Waititi. Next Goal Wins isn’t redeemable because it lacks a clear direction and is demonstratively insulting to those it’s based on. It’s easy to say a film like that has no place on anyone’s watchlist. If you’re genuinely interested in the American Samoan soccer team or the 2001 game, watch the 2014 documentary instead.

  • A Pen Lady

Directed: Taika Waititi  Rated: PG-13  Runtime: 1h 44m  Studio: Searchlight Pictures  Screenwriter: Taika Waititi, Iain Morris  Cast: Michael Fassbender, Kaimana, Oscar Kightley, Elisabeth Moss

Film Critic, Movie Blog, Movie Reviews

KON-TIKI (2012)

KON-TIKI (2012)

Directed by: Joachim Rønning, Espen Sandberg   Runtime: 1 hr 58 min   

Studio: Nordisk Film Production (released in the U.S. via the Weinstein Company)

Screenwriter: Petter Skavlan   Rating: PG-13

Cast: Pål Hagen, Anders Baasmo Christiansen, Tobias Santelmann, Gustaf Skarsgård, Odd-Magnus Williamson, Jakob Oftebro  

*Released domestically in November 2012 and as an international release in the United States in April 2013. (The U.S. version is about twenty-minutes shorter). An interesting fact about this movie’s production. Its scenes were shot first in Norwegian and then in English. So the actors did everything twice! 

Movies like KON-TIKI are not action-packed blockbusters full of CGI and stunts to enthrall you. Its attraction lies in the story, the journey, and the wanderlust of times long gone, when things were still left in the world to be discovered. 

An explorer and adventurer named Thor Heyerdahl (Pål Hagen) spend the 1930s in Polynesia immersed in research on the natives and their origins. The world had taught, up till then, that the Polynesian islands were settled by travelers from Asia who traveled from West to East, and it couldn’t be any other way. Thor tries to sell other explorers and scientific publications on his theory that this isn’t true, but they all wave him off. 

Kon-Tiki Offical Trailer (English version) via YouTube/Movieclips Trailers

Not to be discouraged, Thor believes that if he proves his theory, he will change history. So he decides to travel across the Pacific and do just that.

Thor attracts Herman Watzinger (Anders Baasmo Christiansen), a refrigerator salesman who offers to join him. Later, after hearing of his quest, Thor is approached by Bengt Danielsson, an Ethnographer (Gustaf Skarsgård), to go along and film the journey. The six-man crew is rounded out by Knut Haugland (Tobias Santelmann) and Torstein Raaby (Jakob Oftebro) as the radio guys, and Erik Hesselberg (Odd-Magnus Williamson). Erik is a lifelong friend of Thor’s. He’s also the only one to ever have been out to sea.

The film dramatizes the real-life Thor Heyerdahl’s attempt to cross the Pacific Ocean on a balsa wood raft. So it is based on a true story. 

Watching KON-TIKI, the audience must remember that the story isn’t about character development (except perhaps Thor’s) or drama. There isn’t anything discernible that is learned about the crew. I have not read the book myself, so I’m assessing this just from a cinematic perspective. Usually, lack of character anything would bother me. However, it’s the relatively calm nature that is depicted that is so refreshing. No one acts like the sun has baked their brains for too long. It’s about the journey. How it will end, as all journeys do. Will they all make it? Will the raft hold up? The crew takes each day as it comes. As if they tossed a coin into the ocean of fate and left fear behind at the docks. I don’t know anyone who would be that insouciance about their lives. 

Kon-Tiki route. Image: The UK Times

Despite that, there is suspense in the film. They are in the middle of the ocean! With storms and wildlife to contend with, those external factors create natural obstacles and incidents which every story has. These factors enable smooth pacing to the days at sea and for the actors to actually do things. It’s done so well that the film never comes across as slow or uneventful. While watching, I never get the impression that something is overly done because it’s a movie, fictionalized though it may be. That’s important because it keeps with the fact that this journey really did happen once. 

This movie reminds me of something I might have watched in school after being assigned to read the book. Please, don’t let that put you off! This isn’t a typical movie or family movie night choice in America anyway. I was looking for other projects that Gustaf Skarsgård had done that I could watch here and came across this. It’s a good film to watch for movie night, a day off pick, or for a relaxing weekend stay indoors. Any well-crafted movie that enlightens me about something else in the world finds its way onto my watchlist. KON-TIKI is a perfect balance of entertaining, action, and real-life events that should grace your watchlist too. 

—a pen lady