Tag: DC Comics

Film Critic, Movie Blog, Movie Reviews

Zack Snyder’s Justice League (2021) Pt.1

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Zack Snyder’s Justice League (2021)

Directed by: Zack Snyder  Studio: Warner Bros. Pictures  Runtime: 4hrs. 2 mins.   

Screenplay by: Chris Terrio   Story by: Zack Snyder & Chris Terrio and Will Beall

Cast: Henry Cavill, Gal Gadot, Ben Affleck, Jason Momoa, Ezra Miller, Ray Fisher,  

          Amber Heard, Amy Adams, Jeremy Irons  Rated: R  

**This movie is LONG! Unpacking it is a chore, so I am breaking my review/commentary on it into two parts. Look for the second half on Monday. Thanks everyone!**

Zack Snyder’s cut of the Justice League movie was born from the efforts of a devoted fanbase. That is why this movie exists, pure and simple. They are all proud of this, and I might applaud their efforts if most of them weren’t so toxic. That is a conversational beast that doesn’t belong here. My review isn’t for them. They need no convincing to see this film one way or the other. 

Once a bell is rung, it cannot be un-rung. In the same way, I cannot un-see a movie already watched. The memory is there, that crucial first impression ingrained. My goal is to review just ‘the Snyder Cut’ without comparing it too much to the 2017 Justice League.  

‘Zack Snyder’s Justice League’ Official Trailer via ING, YouTube.

That said, the first scene in Zack Snyder’s Justice League shows the audience the end of the fight scene in Batman v Superman: Dawn of Justice. Except that it’s not. This scene is clearly meant to imply this sequence happened, but it didn’t. Basically, Snyder added it to this film in a show of ego of how he could improve something he didn’t have the foresight to do the first time around. This intro sequence certainly would have improved upon Lex Luthor’s (Jessie Eisenberg) lines said at the end of Dawn of Justice. Cementing the seriousness of what was to come in ‘Justice League.’ That aggravating clarification aside, Snyder does get points for including information in this introduction in a concise, straightforward way that explains how Lex knew certain things in the first place.

Kal-El’s (Cavill) cries are like a supersonic whistle that only three guarded boxes can hear. Pushing aside the 2017 Justice League movie, assuming you, the reader, haven’t seen that film, this introduction works:

  1. It connects this film better to the previous one.
  2. It sets the tone.
  3. It sets up the plot.

All in the first five minutes without one spoken line. Not bad. 

Ben Affleck and Gal Gadot in ‘Zack Snyder’s Justice League’ Image: Warner Bros. Pictures via cbr.com

This film’s premise is that Bruce Wayne/Batman (Affleck) has been warned of a force coming to destroy the Earth in the wake of Superman’s death. With a fresh resolve to make up for his previous notions of Superman before his death, Bruce seeks out metahumans, with Diana/Wonder Woman’s (Gadot) help to protect Earth. Snyder presents this task and journey in the film into seven parts.

Sectioning off the film into parts doesn’t come across as chapters in a narrative as smoothly as they could have been. If anything, they serve to avoid jagged scene transitions. Personally, I find that lazy. Let’s review the film by these parts, not because I’m lazy but because it will act as headers and make it easier to read. 

PART 1 

In the 2017 film, I didn’t know who to blame for giving Arthur Curry/Aquaman (Momoa) ice-blue eyes, Whedon or Snyder. They both knew a stand-alone Aquaman film was in the works, so why not consult about the character? In the 2017 film, his eyes were better looking than in ‘the Snyder cut’ because there is more color and brightness. Snyder has this depressing, overcast, muted tone thing going on in this movie. It loses the effectiveness of the choice to have his eyes this color the first place. Since then, the Aquaman movie came out and Zack Snyder’s choice to not change Arthur’s eye color to match is ridiculous. When establishing a movie franchise universe with different directors and visions, SOME consulting should be a given! A professional courtesy. 

Jason Momoa as Aquaman. Image: Warner Bros. Pictures via Looper.com

You’re probably thinking I’m just ranting and not reviewing, but I am. This lack of acknowledgment is repeated frequently in this film. When a director and studio allow this to happen, it can damage what is trying to be built. It also can confuse the audience. I’m giving my thoughts without giving anything away. Or trying to, at least. 

The introduction and general use of Lois Lane (Adams) are better here. It connects her relationship to Clark, and the loss, in a way that is relatable for anyone who’s lost someone important. She’s not just a last resort plot mechanism.

There is a sequence in a bank where Wonder Woman busts out some unbelievable moves. Diana has impressive reflexes, true, but she’s not faster than the Flash. She’s not faster than (modern-day) speeding bullets either. It’s an example of speeding up a character beyond their established capabilities. It also made me question if children in Europe actually go on field trips to banks? We don’t in America, so it seems like a comic cliche add-on. 

Steppenwolf in 2017 ‘Justice League’ on LEFT & ‘Zack Snyder’s Justice League’ on RIGHT. Image: Warner Bros. Pictures via ScreenCrush

A favorite DC setting is brought back, the island of Themyscira. Here we get a look at another aspect of Amazonian responsibility. This is where Steppenwolf, the antagonist of the movie, is introduced. Previously, in the 2017 version, he looked more organic. In Zack Snyder’s Justice League, he resembles the shiniest, chrome-plated Decepticon ever seen. An expansion of what happens on the island in this version shows what goes down is more than just a short keep-away game. In that, and this is in the trailer, so it’s not a spoiler, think what it would take to destroy part of an island created by a god. 

PART 2 

Steppenwolf’s goals and place in the universe are made more evident in this film. The audience gets a sense of it when DeSaad materializes to converse with Steppenwolf about his progress towards redeeming himself to Darkseid. The being Steppenwolf answers to. However, Snyder struggles to effectively elude to his ultimate plot within a plot.

Snyder does give a more intimate, personal introduction to Victor Stone/Cyborg’s (Fisher) storyline than he previously received. Ray Fisher does a wonderful job of portraying Cyborg, which I discuss in my review of the 2017 film.

Ray Fisher as Cyborg in ‘Zack Snyder’s Justice League’ Image: Warner Bros. Pictures via The Hollywood Reporter

The scenario where a woman jumps, climbs, or runs in high heels is a personal gripe I have every time it happens on TV or cinema. It’s a great example of men writing women characters poorly. Diana, who’s always in heels, jumps in hers and lands with them intact. Doesn’t break her shoes or ankles. She really is a Wonder Woman.

There are two moments where I question the musical choice for scenes. Like, what kind of mood are you trying to create from the one I was just in. The tone change doesn’t transition well. One is with Aquaman, the other is later with the Flash. Music is a fantastic tool in cinema, and this film’s musical scores did nothing for me. Both ‘Everybody Knows’ by Sigrid and ‘Come Together’ by Gary Clark Jr. & Junkie XL from the 2017 film are removed in the Snyder Cut. The removal of ‘Come Together’ is understandable; its tempo is too energetic for Snyder. Sigrid’s song is great, but there is no place for it in this movie, even one four hours long.

After almost an hour, Vulko (William Dafoe) finally refers to the three boxes as ‘Mother Boxes.’ I still don’t like how the boxes were adapted from how they are utilized in the comics. This scene could have benefited from Aquaman director James Wan and Snyder swapping notes since it messes with what ends up being part of Arthurs origin story. 

Darkseid in ‘Zack Snyder’s Justice League’ Image: Warner Bros. Pictures via Looper.com

In part two, Diana explains to Bruce who/what Darkseid is. She recounts the story of when he came to Earth before, and the wording is ambiguous. It’s frustrating because the script is so vague here. The writers hope the audience isn’t paying too close attention to details because they are not concise in their storytelling. They simply lack the imagination to connect this part of the storyline to a future plot point. I could sum it up, but that would involve spoilers. It creates questions for me about Aquaman and Wonder Woman’s original stories. Snyder blows some of that away without a care to the directors who gave fans notable films and storytelling. It’s so professionally fucking rude! 

Who needs continuity in a franchise or any story? Right?

PART 3

The Flash’s intro. In the 2017 version, Barry Allen/The Flash (Miller) was the best part of the movie for me. He was a mix of vulnerable, funny, and honest, appreciating and in awe for what he was joining. His reactions were tremendously different from everyone else. He’s what a young Flash should be, too bright for his own good, quick with quips and occasionally putting his foot in his mouth, but in an enduring way. Zack Snyder got rid of that. Pity. In his version, Barry/Flash starts off as an excuse-ridden idiot with attention issues. 

His intro sequence involves the introduction to Kiersey Clemons as Iris West. She’ll be in the stand-alone Flash movie for relevance. That said, she’s only in one scene, and frankly, it could have been shortened or cut altogether. The entire sequence does nothing for Barry’s character overall. There is an Easter egg here. This is the other scene when the musical choice makes me feel like I’ve been transported momentarily into a different film.

Ezra Miller as The Flash in ‘Zack Snyder’s Justice League’ Image: Warner Bros. Pictures via Screen Rant

Victor Stone’s story is fleshed out more and elaborates better on how he became Cyborg. Every time his character’s backstory comes up, the audience sees a well-rounded character in development that you want to follow along with. 

Barry meets Bruce, and that’s the same. There wasn’t anything wrong with that whole setup. What is tweaked is how Diana and Victor meet for the first time, but she is still patient and empathetic towards him, and that matters. 

Steppenwolf goes to Atlantis, and I think Mera (Heard) is fleshed out a bit more, but not much. As is King Orm, who is only mentioned but gives the audience an idea of who he is before the Aquaman movie. I do wish Mera’s magic was utilized more; it’s an underused attribute of her character. A significant example in this section of the movie contradicts Mera’s character in this film against the Aquaman stand-alone. It’s like Zack Snyder has never bothered to see James Wan’s Aquaman! If you see this movie, can you pick up on it? 

**Come back for the second half of this review!**

–a pen lady

Film Critic, Movie Blog, Movie Reviews

SHAZAM! (2019)

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SHAZAM! (2019) Runtime: 2 hrs 12 min Rating: PG-13  Studio: Warner Bros

Directed by: David S. Sandberg Screenwriters: Henry Gayden 

I’ll be honest, Shazam or Captain Marvel, as he’s also known in the comics, was never one I cared to know. Billy Baston is a kid who transforms into an adult with powers by saying a magic word. Sounds kiddish, right? I just found him so whiney, or that his actual age showed too much as his adult self. That’s the beauty of the design of him, though, isn’t it? What kid hasn’t ever thought about being super? Made up what powers or abilities they would have. I’m an adult, and I still think about it! 

This hero first came to be in 1939 as Captain Marvel from Fawcett comics (currently published by DC Comics). Years later, after being out of publication for a time, Marvel grabbed the available trademark for “Captain Marvel” in the early 1970s. Doing so meant the DC character could no longer be published under the name, so the comic book’s name was changed to SHAZAM! and the title of “Captain Marvel” within DC Comics stopped in 2012 when the superhero name officially became SHAZAM! as well. 

A version of Billy Baston’s origin story has him living with his uncle. In the “new 52” version, he’s a foster kid. This works better for this character overall, I think. Asher Angel plays the role of Billy Baston, the teenager, while Zachary Levi plays the adult/hero version. Mark Strong plays the villain Dr. Thaddeus Sivana, who has been around since the original comics debut. 

Unlike most hero origin stories where loss of some kind is close to the time they suit-up, Billy Baston’s is not. He’s minding his own business when he finds himself before “the Wizard,” played by Djimon Hounsou. I like Hounsou’s previous work; he has a nice range of projects under his belt. However, I cringed at his costume. It looked like a low-level, Halloween Express attempt at cosplay. Still, Billy comes before him via magic into this cave, the Rock of Eternity—the vibe is anything but kiddish. 

The Wizard is one of seven who’s combined powers keep the seven deadly sins away. He is no longer strong enough to hold back what can be described as a version of Pandora’s box and needs someone new to take over. Enter Billy. Billy doesn’t know about Sivana or the sins, who look like unfinished concept renderings Constantine would fight. No, he seeks help from one of his foster siblings, a die-hard fan of comics, to help him figure out the alternate version of himself. 

While the film attempts to merge teenagers and kids’ youthfulness with a conflict that means the end of the world, the conflict portion falls flat. However, there are jokes and laughs throughout the film that sort of make up for it.

Mixed in with those components to the film are Billy’s newest foster parents and the other kids who live with them. The family scenes seem so forced, like it’s normal for a new foster kid to get along so well so soon. Sivana grew up to be the very type of person he hated as a child, uncaring and unloving. That sentiment of not being cared about parallels most foster kids’ feelings, yet I don’t feel for Sivana. That the display of family and togetherness Billy’s new foster family portrays is the crucial difference between being good or evil. Sure…

This is meant as a movie for middle-school-aged kids and up. It’s not designed to be completely logical, just a light-hearted journey into the DCEU without the gritty, testosterone-filled displays currently at work. 

For a movie about a kid, who becomes a super adult, who goes back to being a kid, there needs to be room to grow such a character. To start, kids are already figuring out who they are in the world. On top of that, Billy has to get used to being an adult hero without anyone else finding out he’s a kid in the adult’s body. 

So, should this be on your watchlist? Yeah, go on and do it. It is a lighter super film than anything else out there currently. It can be a fun watch if you accept that it will take more than just this one film for Billy/SHAZAM! to be fully realized. 

-a pen lady

Film Critic, Movie Blog, Movie Reviews

Wonder Woman 84 (2020)

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Wonder Woman 84 (2020) 

Director: Patty Jenkins Screenwriters: Patty Jenkins, Geoff Johns, Dave Callaham 

Studio: Warner Bro. Runtime: 2 hr 31 min Rating: PG-13

Wonder Woman 84 was released on Christmas Day to the anticipation of many, myself included. It starts with a young Diana on Themyscria, with Lilly Aspell reprising her role with the same energy and dedication she had in the first Wonder Woman film. Viewers will get another look into a section of Paradise Island with visually stunning scene settings. The Amazons impress again with their abilities that make the Olympics look like a high school state gymnastics event. 

The opening scene has more to it than action, and while I won’t say what, it is the thread of rationale that Wonder Woman 84 is built around. 

Official Warner Bros. WW84 trailer via YouTube

Shifting from Themyscaria, the movie takes you to Washington, D.C., in 1984. 

Diana is out being Wonder Woman in an era where she can still show up, do her thing, and vanish. Why it had to be in the 1980s, I have no idea. Malls were huge then, and one of the scenes is shot at one, but it could have been elsewhere. Aside from that, the clothes and technology, there isn’t anything that cements a rational justification for choosing 1984. It’s in the title, but it has little relevance. Perhaps because cellphones (as we know them today) weren’t around to capture everything? The internet wasn’t even available publicly yet, so anonymity is her friend. 

Despite her 66-years of relative isolation, who she does befriend is Dr. Barbra Minerva, otherwise known as Cheetah. This iteration of the character sets her up as a cliche of films. She is fashionably stunted (a sharp contrast to the always put together Diana), clumsy, socially awkward, smart, and ignored by everyone she meets. Many of us can relate to that list, hell on most days, it describes me. The difference is that we don’t get to have a wish that gives us a glamor and personality makeover. 

Throughout cinema, animated or otherwise, we have been told that you only get one wish. Maybe three. That magic always comes with a price. Well, Maxwell Lord, played by Pedro Pascal, begs to differ. He’s the embodiment of a character in a magic lamp scenario where you want to trick him into the bottle; he’s so sleazy. In WW84, he is after the Dreamstone and will do anything to get it and everything else. 

After the stone comes to Diana’s attention, with the help of Barbra, they find out more about it. Like most people, Barbra can’t help but think about what she’d wish for. Diana, on the other hand, understands there is more at work than just a simple wish. 

The pace and set-up of this film are slow. Arguably the typical trap of a second film when you know there will be a third, but this wasn’t set up under that pretense. There are so many plot questions, holes, continuity errors that made me lose interest early on. This was not the movie I was excitedly waiting to see. There is little ‘wonder’ to be found in this film. 

While Gal Gadot reprised her role as Wonder Woman and certainly looked the part fantastically again, I wasn’t excited. Pedro Pascal pulls off a 1980s suit to accurately depict the scam artist, Max Lord. However, nothing in this universe will make me believe, magic or otherwise, that Kristen Wiig is as attractive as Gal Godot. Or Barbra to Diana. The Cheetah “costume” is okay until you get to her face. Her face makeup looks like it was stolen from Floki, the character on the History channels Vikings. Rebel Wilson and Taylor Swift’s heads as felines from the movie Cats looked more believable. 

Warner Bro. Films photo of Kristen Wigg as Cheetah in WW84 via Flickeringmyth.com 12-15-2020

For a movie whose pretense is that “…the truth is all there is,” there couldn’t be a bigger lie than the one the filmmakers ignore in how they bring Chris Pine’s character, Steve Trevor, back. It’s absolutely disgusting, really. It goes against everything Wonder Woman is. That, along with the other issues I won’t go into, (spoilers) are reason enough to avoid this film. This movie should not be on anyone’s watch list. 

-a pen lady

Film Critic, Movie Blog, Movie Reviews

Aquaman (2018)

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Aquaman (2018) Screenwriters: David Leslie Johnson-McGoldrick, Will Beall 

Directed by: James Wan Rating: PG-13 Runtime: 2 hrs. 23 min. 

Until now, people probably never gave the role of Aquaman in live-action a ton of thought. Excluding those in the industry. It’s a massive undertaking to decently portray a mythical city in the vast depths of the ocean. In real life, and in film and TV, we focus more on our planet itself, the center of it, and certainly space. Our oceans are not a realm we look at too closely until now. 

James Wan tackles the challenges of bringing Atlantis beyond comics and animated series with vast scale, explanation, and vibrance. Is it perfect? No. I have questions about continuity with other DC films, some cultural ones, and some have to do with physics. I don’t do physics… still, it’s an impressive first take on Atlantis and underwater film in general, in live-action. 

A lot of water, CGI, and creative camera work let you enjoy a perspective of underwater living, swimming, and fighting. How do you fight underwater? With tridents, if you’re Atlantian. Basically, a giant pitchfork. Some interesting contraptions are rigged up to help with this, which is its own form of movie-making-magic. Or torture…

The trailer for this film sets the tone for an action-mystery. It’s true. It’s a journey of discovery about many things and not just for the main character. The central conflict Arthur Curry/Aquaman, played by Jason Momoa, faces is stopping his half-brother Orm, played by Patrick Wilson, from waging war on the surface world. He is aided in his journey by Amber Heard’s character, Mera. These supporting roles depict characters vital to Aquaman’s origin story and are excellent additions to bring this universe to life. A villain figure more prominent than Orm throughout the DC universe is Black Manta. Yahya Abdul-Mateen II takes on the iconic villain and costume of this character with gusto! 

Speaking of costumes, I appreciated not seeing Mera in a more revealing costume style, evident in other iterations. One, women don’t need to be half nude to be remarkable. Second, all that water work on set… that had to get cold. I know that sounds two-faced next to Aquaman, having no top on for most of the film. Yes, they’re Atlantian and are supposed to be able to tolerate it. The characters, yes, the actors, not so much. Between this film and Justice League’s water scenes with Jason Momoa, he might be part fish-man at this point. He brings a “don’t mess with me” presence to the character on screen, unlike past versions-but water doesn’t care. 

I had to stop writing at one point because I had this mental image of Jason Momoa in the original Aquaman costume design. I stopped to laugh. It couldn’t be helped. All of him in a green and orange spandex suit. It’s in your head now too. You’re welcome! Seriously, this film’s costume design is a nod to the original colors but gives him more of a presence, one that commands respect without being over the top. I dig it. 

So should Aquaman be on your watch list? Yes! It’s a fun watch. It’s not serious in the way the previous DC films are but can tie other things together. Really this should have come out before the Justice League movie. Could there be more character development in areas? Absolutely! That’s the benefit of being part of a universe with teams; it gives you more time to flesh out characters. Aquaman will be no exception, and I look forward to seeing his evolution on screen. 

-a pen lady

Movie Blog, Movie Reviews

Justice League (2017)

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Justice League: (2017) Runtime: 2hr 0min Rating: PG-13 

Studio: Warner Bros. Screenwriters: Zack Snyder, Chris Terrio 

I was beyond excited when I heard a Justice League movie was being made. It’s hands down my favorite comic team-up. Like many of you, I’m sure. 

This version of the Justice League is comprised of Wonder Woman, Batman, The Flash, Aquaman, and Cyborg. Bruce/Batman and Diana/Wonder Woman seek out the others to help prevent Earth’s destruction. It’s set not too long after the end of Batman v Superman: Dawn of Justice though it doesn’t state it specifically. 

If you haven’t seen Batman v Superman, you will be a little lost. I have a review on it, in which I state the only reason to watch it is to follow along with the movies that come after it, like this one. You can watch this movie without seeing Wonder Woman first, but her stand-alone film is excellent. 

Compared to Batman v Superman this movie is a one-eighty. This story is easier to follow along with, even though there is a plot within a plot. In terms of moving from one scene to another, it’s more smooth. I didn’t get the “this scene shouldn’t be in this movie” feeling like I did with the other one. Ben Affleck, as Batman, was a stark contrast as well. I really hated him in Batman v Superman absolutely loathed the character. Here Bruce/Batman is calm, rational, and resembles the detective with gadgets we expect. 

The action sequences and visual effects that are in this version are good as well. The work done with wires and rigs, green screen, and motion capture suits are done so that I’m not questioning or raising my eyebrow at something. Ray Fisher, who plays Cyborg, is a great example of this because not one part of him is in an actual costume while filming. He even has one eye covered the whole time, so the cybernetic one can be put in correctly later. He does a great job of going through the literal movements pretending he’s got mechanical parts as he performs. That’s got to be complicated. Imagining how to move your body like that; what that would feel like to operate. 

Jason Momoa gets tattooed up, more than he naturally is, as Aquaman, and receives some pale ice-blue contacts. He pulls it off, but it takes a short bit for that adjustment to sink in. It’s a good intro to who he is and what he’s about as a character. Aquaman has a stand-alone live-action film in theaters a year after this film comes out. 

For me, the best part of the movie was The Flash/Barry Allen, played by Ezra Miller. His portrayal is a lovely mix of vulnerable, funny, and honest. This version isn’t carried seriously like recent versions of him. He (Barry) has this enthusiasm, appreciation, and awe when meeting everyone and figuring out who they are. It’s like a gobsmacked Harry Potter discovering magic for the first time. He knows he just joined something significant. His reactions are a tremendous difference from everyone else and everything else going on. Also, his suit is held together by wires. Wires! The way he moves in it, the lighting coming off of him, and it stays on. You understand he’s smart without having to say it. It’s a wonderful costume concept. I see this version growing effortlessly into the one who makes puns and quips on purpose but without being cheesy. 

As it stands, I would say put it on your watch list, but I do so with reservations. There are all these moving parts at the start of the film where each character is introduced. They are separate but come together to solve a common issue among them. The assumption is that you’ve seen the other DC films and know about these characters. I got it, but I know who the characters are, so it was OK to watch for me. For a lineup of characters with nearly eighty years of history, this movie should have been so much better. 

This is credited as being directed by Zack Snyder. Months before the film box office release in October 2017, he withdrew from the project to be with his family. Google why yourselves. At that time, the film was in post-production when Joss Whedon took over with Warner Bros. oversight. The cause of my reservations. It has been reported in multiple interviews with cast members that what made it into the box office release was not what Snyder worked on. Mainly it’s what Whedon chose to do with the project. If Joss Whedon’s name sound familiar, it’s probably because of his involvement in writing and directing The Avengers, Avengers: Age of Ultron, and for his work on Marvel’s Agents of S.H.I.E.L.D. 

Why is that problem? On so many levels-I’m thinking of creating another blog so I can talk with spoilers. It would probably be more of a rant. 

The trailers for the Justice League movie are a good indicator. There were a couple that was released, including the two from Comic-Con 2016 and 2017. They were the best trailers, the ones that pulled me in any way. The reality is that so much of what was in those trailers never made it into the film. Creative differences are one thing, but that much cut is like false advertisement. The others that followed, in contrast, are the first indicators of the shift. 

Some parts of this movie made me seriously wonder how much Joss Whedon knew beforehand about DC comics. If he did any research or went back and looked at the previous DC films or talked to the other films’ directors or in pre-production. Some blatant plot holes are in this film that shouldn’t have been if someone had. It’s just sloppy and lazy. 

At this point, between the screenwriters, the studio’s interference, and the directors pissing contests of whose ideas are better than the others, I’m amazed this movie was released at all. 

-a pen lady

Warner Bros. Pictures Justice League Official Trailer 1
Movie Blog, Movie Reviews

Wonder Woman (2017)

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Wonder Woman (2017)   2hr 21 min  Rating: PG-13   Studio: Warner Bros. 

Director: Patty Jenkins  Screenwriters: Allan Heinberg, Zack Snyder, Jason Fuchs

There are many parts to a film, from the script to the acting, the sets and scenes, wardrobe and editing choices, and choreography and musical arrangements. When all come together in unison, that’s magic. It’s reflected back when going to the theater and being enveloped by a movie, from beginning to end. It’s everything. The hallmark feeling every movie-goer should hope for. 

Hope, belief, and love are all parts of the first live-action, stand-alone film of Wonder Woman, starring Gal Gadot and directed by Patty Jenkins. It’s a great adaptation of the super-heroine who has endured for over seventy-five years as a cultural icon. There’s also drama and action! 

The beginning of the film might make you feel lost, or not if you didn’t see Batman v Superman: Dawn of Justice beforehand. That’s cool. You just need to understand Wonder Woman was in that film, and that’s when she met Batman/Bruce Wayne and Superman/Kal-El/Clark Kent. She was in the trailer for that movie, so I don’t consider it a spoiler. I mention it, so you’ll get why she’s interacting with Wayne Enterprises, and you are not confused. That film was hit or miss for some fans. You can check out my review on it. 

What is an absolute hit is Lilly Aspell, the young Scottish actress that portrays young Diana. She is such a delight! For such a young actress, she is believable as Diana. Her energy, determination, and delivery are so on point. Anyone who has kids or has ever been around them understands not many have the temperament to be actors. Which is not the same as your kid being a ham. I’m sure many would have looked the part, but Lilly Aspell is the perfect precocious child to have been cast. I saw her in one of the film trailers with this “challenge accepted” face on, and I laughed. I knew I would enjoy her in the film right then. 

Other casting choices that are marvelous are the actresses that play any of the Amazonian roles. Let’s get one thing out of the way. Their costumes are modeled after the ones in history; they are accurate iterations of the outfits used in ancient times. Thousands of years ago, or today in a film, being a ‘warrior’ takes work—a lot of it. Being on horseback and doing what they do remind me of Dothraki fighters from HBO’s Game of Thrones, but these women are way more impressive! Okay, it’s remarkable choreography and editing skills that make it seem natural, too, but I’ll take it. 

Frankly, the stunt doubles/people in cinema are under-sung heroes in their own right. When actors, especially in action-heavy films, get awards for their performances, their stunt doubles should get one too. They do an incredible amount of work to make the cast look as they do. I want you to consider that for the rest of this film, or anything else you ever watch. 

Another incredible film component is picking out locations to film at. If you’re like me, you’d want to visit Paradise Island! Themyscria itself is idyllic. It’s so old, yet clean. The scale of it cinematically is an excellent vision of how it has always been depicted. The best part is that it’s not entirely CGI. All the scenes for the island were mainly shot on multiple beaches and coastline in Italy. Update your translator app and back a bag! I’m totally pumped about this movie, and at this point, you would be like five minutes in.  

Speaking of being “in,” if you are not familiar with Wonder Woman’s backstory or Greek mythology, that’s okay. Patty Jenkins’s portrayal of it deviates absolutely from actual Greek mythos in many ways. However, it’s still done so well you will follow along, okay. If you are familiar with either, it may bother you, so be prepared. Just go with it. There’s nothing you can do. It was apart of DC’s revamp ten years ago when they introduced the “new 52” to all their lineups. I like the storyline from the animated series Justice League and Justice League: Unlimited from 2001-2004. You should defiantly check that out! 

Connie Nielsen is a Danish actress who plays Queen Hippolyta. Otherwise known as Diana’s mother. Her origin change is very much tied to Dianas in the revamp. She may be Queen, but her sister, Antiope, is the General of the Amazonian army played by American actress Robin Wright. Both ooze formability, confidence, loyalty, and perfection in their respective roles. Another staple in Wonder Woman history is the character Steve Trevor, played by American actor Chris Pine. Steve Trevor comes along for the ride in Jenkins’s version in a go-with-the-flow attitude when he meets Diana. Like everything she tells him doesn’t freak him out, which I find odd in a setting of 1918… but it works. The dynamic allows for softer moments, humorous moments, and room to let the filmmaker show off some of Diana’s lesser-used but cool abilities.  

There is this slow build-up from the beginning of the film where you are shown how Diana thinks and feels about things. How she responds to people and situations and handles a crisis. She embodies a kind, ethical, strong, brave, selfless, trusting, moral, intelligent, loving person. Even as she discovers what she is, she doesn’t lose any of it. Then there is this moment when you see her, finally, as Wonder Woman. Perfection! It is your comic book heroine alive on screen. I hissed “yes!” with excitement in my theater seat. 

Those of you who are Zack Snyder fans will feel his influence on the story, particularly near the end. It doesn’t last long and blends right back in with the original tone of the movie. I was grateful for that in light of how Batman v Superman: Dawn of Justice turned out. 

Another influence you will notice throughout the film is the camera work. Some movies action sequences are so hard to follow along with. The choreography and camera work make it so the viewer can’t see the potential for how awesome a fight scene could be. I’ve seen plenty of movies where I can’t tell what’s going on because everything is dark, rushed, or blurry. Or all of the above. This film shoots it’s action sequences, so you don’t get eye strain. In fact, there are a few times where it is slowed down so you can appreciate the scene in front of you. However, it’s not just for that. Like many films, Wonder Woman was shot to utilize 3D. You can view either version, in case you were wondering. 

So, should you put Wonder Woman on your watch list? Absolutely! Grab some snacks, and do it. This is a movie everyone should see. This is how DC should do their films. 

-a pen lady

Warner Bros. Pictures Offical Trailer for Wonder Woman via YouTube
Movie Blog, Movie Reviews

Suicide Squad (2016)

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Suicide Squad (2016)  Written and Directed by: David Ayer  Rating: PG-13 

Studio: Warner Bros Runtime: 2 hrs 2 mins 

So what is the Suicide Squad, and who’s in it? It’s a group of the worst criminals, human or meta-human, to be caught and imprisoned. They are…compelled to work for the government under the designation’ Task Force X’ and do black ops missions. If they die, oh well. Hence the nickname of Suicide Squad. They are controlled by Amanda Waller, played by the incomparable Viola Davis, and Col. Rick Flag, played by the gifted Joel Kinnaman. I like both of them in their respective roles, but this movie only gives you a small taste of what the characters are really capable of. Hopefully, they both show up again in the DC films. 

It took me four years to watch this movie. I only did so because I’m reviewing all the recent films in the DCEU. What kept me away? Will Smith. He’s hit or miss, mostly misses, for me if I like his characters. He plays the role of Deadshot, an expert marksman for hire. If it was just that, I might have, but then there is Jared Leto. I got an impression from the film trailers, and it didn’t change after seeing the film. I know the character of the Joker and have seen him portrayed differently over the years. Suicide Squad Joker is a gangster/mobster, trashy hot mess with a culturally appropriated wardrobe. The Joker is not in the squad. While you can’t talk about Harley Quinn’s origins without mentioning him, his character could have had less of a position in this movie. 

Dr. Harleen Quinzel/Harley Quinn, played by Margot Robbie, wasn’t always a coo-for-Coco Puffs, violent relishing member of society. Her story has changed a few times since she appeared in the comics in 1993. Still, she’s always, sadly, relatable more than other villains or heroes. She is smart, talented, and falls for a manipulative, violent, and abusive person. That gets her electroshock “therapy” from the Joker, endures mental abuse and brainwashing, and falls into toxic chemicals for him. The substances are what give her the white complexion, which doesn’t look good in live-action on her. I’m telling you about the character when only a sliver of it makes it into this film. You get an idea of how she got this way, but nothing to truly counter that with the villain she actually is. Taking such a layered character and presenting her as she is in this film sends a dangerous message to viewers. If someone down the cinematic road fleshes her character out I hope it’s not under the lens of a hero. 

Rounding out the squad is Killer Croc, Diablo, Captain Boomerang, and June Moone/Enchantress. Diablo and June are the only ones where the film attempts to flesh out some backstory. That’s probably only so it can move the story along, or it wouldn’t have happened. The rest are basically cannon fodder. Honestly, the Enchantress should have had a more significant role where her history was brought out more. More than the writer’s surface scratching did as justification for the weak plot and character development overall. 


Suicide Squad tries to be dim and gritty but misses the mark even amongst its attempts at violence and bullets flying everywhere. Should this be on your watch list? No. It adds nothing of consequence to the other DC films. And, it’s an insult to even the bad guys it attempts to use. 

-a pen lady

Top Image: Warner Bros. Pictures Suicide Squad image via Forbes. Trailer: Warner Bros. Pictures Offical Suicide Squad Trailer 1 via YouTube

Film Critic, Movie Blog, Movie Reviews

Batman v Superman: Dawn of Justice (2016)

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Batman v. Superman: Dawn of Justice (2016) Directed: Zack Snyder   

Screenwriters: David S. Goyer & Chris Terrio Runtime: 2 hrs. 32 min

Rating: PG-13 Studio: Warner Bros. & Ratpac Entertainment

Cast: Henry Cavill, Gal Gadot, Ben Affleck, Jesse Eisenberg, Amy Adams

Batman v. Superman: Dawn of Justice isn’t the dawn of any justice. None for the characters’ many iterations over the decades. Nor for the fans of DC Comics who have only ever been given Batman up to this point. It’s like Warner Bros was incapable and unwilling to try anything other than Batman until now. Couple that and the direction the screenwriters took to create this movie with future projects in mind…there isn’t any point in trying to stay neutral in this review. I won’t spoil anything that’s not in a trailer or isn’t backstory to any character in a way that will ruin something. 

Warner Bros. Pictures 2015 Comic-Con trailer for Batman v Superman: Dawn of Justice via YouTube

This film is set a year and a half after the battle over Metropolis occurs in 2013’s Man of Steel. (See Review) The movie starts off from Bruce Wayne’s perspective of being on the ground that day in Metropolis. From his point of view, Superman is just as culpable as the other Kryptonians. Like he did it on purpose. It’s the driving force that makes Bruce seek to destroy Superman before he goes bad. Take this mindset into consideration, along with the mommy and daddy issues that are repeatedly brought up. What has been created is an uptight man with resources in desperate need of anger management and PTSD therapy. I can’t decide if what I detest the most is Ben Affleck playing Batman/Bruce Wayne or how the character is written. 

Bruce wants to stop Superman based on the chance he might go bad one day. At this point, Bruce has been Batman for around two decades and is jaded and calloused. He’s not a cautious detective; he’s untrustworthy on an unhealthy paranoid level. There’s actually no detective version of him to be seen in this film. Okay, Gotham got to him. That mentality extends throughout the movie. Pair that with Lex Luthor’s mindset. Yep, Lex and Bruce think Superman needs to die. Honestly, that’s not a spoiler. What could go wrong? 

Ben Affleck and Henry Cavill in ‘Batman v Superman: Dawn of Justice’ Credit: Warner Bros via the Guardian

Lex is played by Jesse Eisenberg, a considerably younger take on the character who has always been older than Superman/Clark. I wasn’t sure how I felt about that. An older Lex has more years to be justified in his questionable life choices and the path that got him there. Here it also means his dad is dead much sooner. That doesn’t matter for this story, but it could be problematic for future stories. Eisenberg plays eccentric well and plays up the neurotic psycho angle here. His acting isn’t the issue, but his script is. Lex is all over the place with his attempts to stick it to Superman and others that get in his way. Including his weird and overly conversed god/devil and good/evil rhetoric. This Lex is all about the “paradoxical,” but someone forgot to tell the screenwriters what a real paradox is. So, Lex comes off as just manic instead of goal-oriented. 

Woven in all of this is Diana Prince cropping up in multiple places. That’s Wonder Woman to all you non-comic lovers out there. Gal Gadot was cast for this iconic character, and she is a fantastic embodiment of Wonder Woman. Her addition is done well, mysterious and not over-stated, but that’s okay, all things what they are. Honestly, her character’s place in this film is to help facilitate Warner Bros. dropping Wonder Woman’s stand-alone film after this one and setting up for the Justice League movie after that. 

Amy Adams and Jesse Eisenberg in ‘Batman v Superman: Dawn of Justice’ Credit: Warner Bros. via slashfilms.com

Bruce and Lex are paranoid, and Clark is still dealing with his feelings about his place in the world, especially now that his Superman persona is out there. This film really drives that point as well. Should there be a Superman? Who is he accountable to, and should he be? Is he or is he not the savior figure some have put on him? Is he just a political tool or just some person out there to do good for the sake of good? My take-away from all that noise is, are you team Batman or team Superman in this version? Then ask yourself why. 

I have to say that the scene transitions in this film are lazy if done at all. The movie’s pace is continuously tripped up by this, and the BIZARRE and disjointed “dreams” of Bruce’s just thrown in. A disgusting reminder that Bruce has needed therapy for years, and ignoring one’s mental health is a self-destructive idea. These scenes had NO place in the film. It’s like someone copy and pasted in snippets from another version. I mention it because I don’t want you, the viewer, to feel lost or that you missed something. At one point, I thought about walking out of the theater—an action I’ve only done two times in 25-years of seeing movies on my own. 

Henry Cavill, Gal Gadot, Ben Affleck in ‘Batman v Superman: Dawn of Justice’ Credit: Warner Bros. via denofgeek.com

Zack Snyder is the director of this mentally scaring, shit-car-filled train wreck. But he didn’t write the script, David Goyer and Chris Terrio did. Directors get all the blame. Goyer also wrote Man of Steel with Christopher Nolan. Nolan understands these characters, or at least how to do a great Batman. Someone, please, give Mr. Nolan the screenwriting reigns from now on. While I’m not a fan of Snyder’s entire body of works, it’s not fair to blame him for a horrible plot and unrealistic character development. 

This movie should have been the beginning of what DC fans have dreamed of for decades, especially in the shadow of Marvel’s cinematic universe, our own superhero team-up. You have the founding trio of the Justice League in this film, decades of stories to choose from and build upon, and this film is what fans got instead. 

Henry Cavill in ‘Batman v Superman: Dawn of Justice’ Credit: Warner Bros via CNET.com

So why should you put Batman v Superman: Dawn of Justice on your watch list? To help you follow along in the other movies after this. So you understand the backstories of how certain characters met, why they are together, or are against one another. However, don’t fall into the comparison trap of DC movies vs. Marvel ones. That’s a decade-old dance that started with the actual comics. Take each as they are and look at it as good and bad from within each respective universe. 

-a pen lady

Film Critic, Movie Blog, Movie Reviews

Man of Steel (2013)

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Man of Steel (2013)   Runtime: 2 hr 22 min Rating: PG-13

Directed: Zack Snyder    Screenwriters: Christopher Nolan & David S. Goyer

Cast: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Russell Crowe, Lawrence Fishburne Studio: Warner Bros. & Legendary Pictures

Henry Cavill takes on the role of the beloved and iconic comic superhero, Superman. In Zack Snyders adaptation Clark Kent seeks to learn where he came from and, ultimately, acceptance on Earth under the moniker of “Superman.” 

No story of Superman’s origin comes without Martha and Johnathan Kent. Diane Lane and Kevin Costner are perfect fits as the embodiments of the salt of the earth couple responsible for the humanity at Clark’s core. 

This re-telling of Clark/Kal-El’s origin story is presented in smaller nuggets of memories that feel organic as they weave in and out of the storyline. The viewer can see Clark’s progression and struggles. Clark learns as a teenager that he’s an alien- because, ya know, high school isn’t hard enough, but that only helps him understand why he’s ‘not normal.’ Logically, he still wonders where he comes from. The film starts with his adult self out in the world seeking answers to that exact question. That need to learn where he came from and why go hand in hand with the movies other driving questions, ‘is the world ready for me? Am I ready?’ 

Warner Bros. Pictures Offical Trailer #3 of Man of Steel via YouTube

Most humans don’t measure their lives on how their character is judged by the world. So they can’t imagine if their very existence was the embodiment of someone else’s hope and beliefs. That this existence, not life, will forever be judged on their choices, their character. The adversary to Clark/Kal-El’s internal struggles judges his choices too, and from that, we see the external conflict through fight scenes. 

A few of the things I really appreciate in this film are the rig and harness work for the choreography on the flight and fight sequences. They’re impressive if you think of how fast Kryptonians move on Earth. With all the shooting and explosions, you have to appreciate all that physicality and timing required to pull it off. What you thought I was gonna give specifics? That would have meant spoilers! 

Henry Cavill in ‘Man of Steel’ Credit: Warner Bros. via theverge.com

Compared to the Earth’s military forces, the Kryptonians’ technology and equipment are in stark contrast, yet not unbelievably. It’s not cheesy or over the top-it’s explained in ways that any viewer can follow along with. One scene/aspect of the story gave me a very ‘Matrix-like’ vibe. 

Henry Cavill as Superman, not just because he physically looks like a great Superman/Clark Kent but because of his presence. The way he delivers the character. His ability to take the script and what the character needs to do physically comes off so naturally. Yes, he looks good in the suit too. Honestly, I was distracted by his calf muscles a few times in that suit. Dang! He’s an ideal casting choice that makes you think there can’t ever be another actor who would do as well with a character with so many required layers. 

Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe in ‘Man of Steel’ Image: Warner Bros. via Popsugar

Clark is never without Lois, and Amy Adams is such a believable incarnation of her iconic character. She’s soft and human at all the right moments, but not delicate. Yet never loses the ‘never takes crap off of anyone’ attribute that drives Lois home as an award-winning writer. Some iterations of Lois have been too feminine, and others to tom-boyish. This version is an excellent mix of both critical aspects to her. 

So, is The Man of Steel worth your time? YES! It has drama, action, and charm rolled together in a well-told, developed story and a cast that is a perfect fit for their respective roles with great performances. Not sure yet because I don’t include details that spoil the magic? That’s cool. Just do an internet search for any of the three trailers that came out before the film’s debut. I’d recommend the second or third (the third one is below). By viewing them, you’ll get a much better feel for what I’m saying. Don’t worry if you’ve never read a comic before or know nothing about Superman; it won’t matter. This movie should be on your watch list! 

-a pen lady